It ain't blues, but there's a lot of blues harmonica in it. I think it's a jam-band anthem, but it's also sort of in that 70s blues-rock bag. (Some of you might hear the nod to "Free Bird" towards the end.) I'll be sharing on Facebook in a little while, but I thought I'd give you guys first listen. I'll be happy to dialogue about it after the dust settles. Jerry Jemmott on bass. This is Rod's very first recording. He's 54. He's Mr. Satan's nephew.
I'm surprised no one's responded to this, Adam. It's a crackerjack jam . Sir Rod has the same raspy, declarative vocal style of his uncle and provides energy and infectious bravado. Your harmonica is spectactular as well, sharp yet sweet, hard rocking yet rhythmic without fault. I caught on to FREEBIRD nod and it makes me think how it be to have an extended jam with harp and guitar (s) harmonizing on that song's signature riffing. Kudos to Jerry Jermott for some nice bass work. ---------- www.ted-burke.com
Thanks, Ted. I like your characterization of his vocal style. This is merely one track out of 11 on the album; we'll be mastering the whole thing soon and releasing at some point in the next several months. As an original with a timely theme, this one seemed worth putting out there in advance of all that.
This is really good. The evolution of Satan and Adam takes a really cool turn. I like thats it isn't just straight blues, shows another dimension of the instrument.
I am assuming that these are mostly the raw tracks and that dedicated mixing might take place eventually?
First of all, almost 5 minutes of the same chord progression is a bold statement. The challenge is to make it interesting.
How to do this?
I'd think of different layering for different sections - and if it were my project, I'd have at least 3.
While it starts out like a rocket with band/harmonica intro, once the vocals come in, consider dropping the harmonica out to let the vocalist shine. IMO, the harmonica is playing all over the vocals rather than in a supportive role.
Then, crank it for that pretty good solo, once again backing down when the vocals come in.
I'd like to hear more of a call/response between vocals/harmonica.
Perhaps the drummer/bass players can come up with different patterns during the song. Right now, everything is pedal to the metal from start to finish.
Was more of a two dimensional sound, lacking that third one of differing depths for different sections.
All above is just my opinion in how I like great music to come across - well balanced, interesting and maybe slightly unpredictable at times.
Otherwise, I feel you've got a lot of great stuff to start with. ---------- The Iceman
Adam, your driving groove riff harp style is unmistakable and always a treat! Great to hear you continuing your music and embracing new projects and new band members. Good song! ----------
