I’ve got several BF era amps that I picked up and use as a guitarist. Now that I’m also playing harp, I see people recommend switching the 12AX7 for a 12au7 or similar to lower the gain for harp. What about just using input 2, which is already lower gain? I’ve got a VibroChamp with a nice Eminence speaker in it that should be awesome.
Last Edited by Hamerman on Jul 17, 2020 2:33 PM
I reckon if I had a vibrochamp I would begin doing just that.
Mic choice makes a difference too.
The other thing you can try is using a volume control on the mic or, fairly common now is a pad like the Lone Wolf Mojotone or Mojotone Deluxe. I think the Memphis Mini Little Fatty is the same kind of deal.there may be others. There's also pre-amp pedals which can give similar results
I know some people who run small amps with the volume turned up high, and have a mic with volume control which they use to regulate the feedback.
All of this is about the problem caused by presenting the first pre-amp gain stage with a signal somewhat more powerful than that provided by typical guitar pickup
This is a bigger problem with some mics and amps than others.
Sometimes changing tubes doesn't yield good results. I have a hypothesis that the reason a12AU7 (for instance) might seem to kill an amps signature sound and leave it sounding dull is not just because there's not enough gain, but because the circuit is wrong for that tube and consequently is operating in a poorly balancedway. I had this"flash"of insight late one evening when reading the valve wizard pages about pre-amp design, and is a topic I really need to look at again but in any case, whatever the reason, it's true that tube swaps sometimes just don't sound good. Conversely, sometimes it works really well.
I think best to start with the simplest and cheapest possibility and go from there.
I'm going to try the Memphis Mini Little Fatty, as I have their Boost. It works just great into my VibroChamp at low volume. I have blackface Princetons too. I use all of them with guitar, and don't want to mess with them if possible. I think you are right that swapping out the tubes will change the nature of the amp. At some point, I'd like to get an amp designed for harp (probably a Stage 5).
I'll wait with interest to hear what you make of it.
I used a Mojopad Deluxe pedal with my Hot Rod Deville and was able to get an acceptable sound after i spent some time adjusting EQ. It sorted the gain but i had to cut the bass i think, and maybe boost the mids to balance the sound.
i saw a Harpgear II advertised yesterday, which came with a Little fatty pedal. That was interesting to me because i would have expected that harp specific amp to be fine without such a pedal.
When I heard back from Rick about the Little Fatty, he said they would be taking orders for amps soon (maybe by the end of the week). Their web page just got updated to confirm they would start taking orders in the middle of September, so that's good news. After checking out the videos by Shellist and Taylor, they look like great amps for the money. Apparently the Stage 5 mods really address the feedback issues and add a lot of bass. I think the Little Fatty is the thing for when I just take one amp for guitar and switch off, while the Stage 5 would be the way to go when I can carry two amps.