Nov 03, 2019
After many years of lurking on this forum, irritating my family at home and buying lots of gear to improve my tone etc I have finally found a blues jam that is close enough and makes me feel comfortable enough to lose my cherry.
I've been to a couple now and the 'rabbit in the headlights' feeling is starting to subside.
I take a bass and my harps, usually get 2 songs on each.
When I play bass no one seems keen on making eye contact as I walk back through the audience to my seat.
This is in contrast to the warm reception I get when walking back after laying harp.
The main compliment seems to be "it was good you didn't play too much." Hmmm!
Everyone is supportive and I am learning lots and enjoying myself.
The usual problem of not being able to hear myself is very real. I did ask about Harp amps etc but they don't want to change. As I'm a newbie I won't press the point. The harp players get set up with a vocal mic.
Two things to mention:
1. I will try playing with earplugs so I can hear myself.
2. I am going to have to work on my chops rather than just fiddle about with gear when I practise at home. I've just spent an hour with a metronome and I decided to write a long post here rather than do any more.
I feel like I have pushed through a significant barrier and would like to thank members of this forum for helping me to understand the stuff that has got me this far. Long way to go though.
Nov 03, 2019
First rule: Protect your hearing. Don't take it for granted.
There are "musicians' ear plugs" that are worth the investment. I wish I'd had them. I did other stupid things to my ears, but a few loud jams iced it.
You'll see this advice here occasionally.
In any case, That's a significant barrier to cross. It's a rush, isn't it? A great journey to be on.
Nov 04, 2019
Getting up at a public jam is definitely challenging. I don’t feel I’m very good at it, but better than I used to be.
I’m reading Margie Goldsmith’s book of interviews, slowly. One thing I took note of was from James Conway, about improvisation. He said that ... Corky Seigel? ... told him to focus on dynamics and his improvisation would improve. He said he applied this advice and believes it’s good.
I’ve also taken to closing my eyes while I’m improvising. Not the entire time, because you need to see what’s going on at certain points too, but I think eyes closed can help focus on the music.
I’m trying to think of jamming as an interaction with the players rather than trying to impress an audience.
Unless I’m leading the song. Then I have a responsibility to the audience too.
At our Blues Club gig we usually have a jam as the middle set. Sometimes it’s great. Sometimes not. There’s often a harp player, sometimes 2 or 3. If they’re visiting they’re usually pretty skillful.
Sometimes there’s a harp amp in the backline but often it’s PA. We hire a good sound person to manage that.
Depending what sort of person you are, I think it’s good if you can sing and lead a song. If you’re the singer you’re usually gonna be in charge for that song, which can make life easier. Might take a while before you go there?
Playing bass is a great thing too. Every member of my band (except me) was playing bass in a second band at one stage. 2 of them still are. If you play bass or drums you’ll always be able to find a gig.
I love that remark about not playing too much. Sounds like faint praise but it’s indicative of many experiences with harp players at jams. I think the advice about dynamics goes somewhat to that too. If you’re thinking dynamics you’re not going to play mindless runs of notes.
I get that about writing a long post instead of practice. I do that all the time, hence my post count.
Anyway, congratulations and well done. It will definitely help you become a better player and have more fun
Nov 04, 2019
Agree on protecting hearing - love music, would hate to lose it. I don't think it is dangerously loud - I just can't hear myself.
It really has been a revelation: stuck in a traffic jam this morning. Tried improvising to a backing track - it felt very natural and smooth for over 20 minutes. Never been able to do that before.
Eyes closed: yes to help with the stage fright. At one point (during a 4 draw) I heard some whooping. Had a peep out of one eye but couldn't see past the stage lights. Keeping an eye on the leader between choruses though.
I have been pretty stuck for a long time, so I guess the changes I am getting will be wide and varied. Just gonna ride it for now.
I resonate with all the above points, very insightful - thanks for making them.
Nov 05, 2019
Re: getting complements with harp but not with bass. Most non-musicians look at guitar, vocals and harp as lead instruments and bass and drums as backing instruments. Often they can't even discern what the bass player is playing. You're probably doing great on both instruments.
Nov 05, 2019
“I don’t think it’s dangerously loud” Anything over 85-90 decibels is potentially harmful and good earplugs are cheap insurance. There’s an app for your phone called DecibelX which will let you know how loud your jam is. The jams I play at are usually 95-105 dB
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