Diggsblues
470 posts
Aug 26, 2010
8:54 PM
|
I get the feeling that people think getting a
magic harp and position is what you need to play jazz.
In my mind it takes a lot of study of scales and arpeggios
and jazz harmony to play jazz well and this is putting it
simply. When you hear Howard he is applying his keyboard
knowledge to the harmonica.
----------
How you doin'
|
ZackPomerleau
1037 posts
Aug 26, 2010
9:49 PM
|
Hey Diggs, I was just stating harmonica wise. I have a big book of Jazz theory, and know lots of theory already. Very complicated stuff. As a drummer previously I know a lot more about that piece of the puzzle. Either way, there is nothing simple here.
|
Diggsblues
471 posts
Aug 27, 2010
6:35 AM
|
I'm glad somebody gets it.LOL
----------
How you doin'
|
sammyharp
2 posts
Aug 27, 2010
1:37 PM
|
I agree. Jazz definitely involves a lot of theory, but it doesn't help to just learn chords, scales, and arpeggios. That's just part of the puzzle. The real art of it is applying that knowledge in a spontaneous setting. It takes a LOT of practice, and is definitely requires a lot of time to become adept at.
Practicing the basics, such as scales and arpeggios, should never be underestimated. There are thousands of books on the market that focus on scale excersises. Practicing various scales and excercises in all positions is a good starting point, and solidifies knowledge and recognition of the quirks of the insrtrument. Muscle memory.
A good theory book is definitely a very helpful tool.
The best way to practice applied theory is through playing with others, or with play-along recordings, such as the Jamie Aebersold series. Start simple and work your way up slowly.
One thing that also shouldn't be underestimated is the importance of regular lessons. Having a knowledgable person listening to your playing and helping you to improve speeds up the learning curve immensely. It also reduces the risk of perpetuating bad habits.
Defininitely not simple, but that's why we love music, isn't it?
|
