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Dirty-South Blues Harp forum: wail on! > P.T. Gazell live in the studio: "Broadway"
P.T. Gazell live in the studio:  "Broadway"
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kudzurunner
1246 posts
Mar 13, 2010
5:55 AM
I think this is some very sweet playing. Amazingly nice:

The Gloth
294 posts
Mar 13, 2010
6:26 AM
I love it. The harp sounds very natural to this music, IMO. Here's another amazing performance :

Joch230
22 posts
Mar 13, 2010
6:42 AM
Very nice.....and he holds the harp with the two thumbs up method like Adam and myself.

John
Tuckster
431 posts
Mar 13, 2010
8:13 AM
Love P.T.! If the harp fairy came and touched me with her magic wand,I be hard pressed to choose between P.T. or LW. I like him that much.

Last Edited by on Mar 13, 2010 8:14 AM
Greg Heumann
358 posts
Mar 13, 2010
8:39 AM
Love PT - he's just a wonderful player and a great guy.

@Joch - I don't believe there is any advantage or disadvantage to the two thumbs up method. I have tried it and it doesn't work for me at all. I honestly believe the shape and size of your face (jutting chin? Receding chin?) and hands probably leads you to the grip that works best. The goal is the same - being able to seal off the unplayed holes on the front of the harp so that everything is directed into your cup.

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/Greg

BlowsMeAway Productions
BlueState - my band
Bluestate on iTunes
RyanMortos
679 posts
Mar 13, 2010
1:27 PM
I love this song! Yes, this song and everything else on the Back To Back CD he put out with Brendan Power. Really cool to see him in the studio doing it!

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~Ryan

"I play the harmonica. The only way I can play is if I get my car going really fast, and stick it out the window." - Stephen Wright

Pennsylvania - H.A.R.P. (Harmonica Association 'Round Philly)

Contact:
My youtube account
PT
21 posts
Mar 15, 2010
11:13 AM
Thanks everyone...I really appreciate the kind words.
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"Life...10 Holes & 20 Reeds At A Time"
Ryan
211 posts
Mar 15, 2010
4:12 PM
PT, would I be correct in assuming that you use ET tuned harps? I'm just curious. I would assume you do because you play mostly single note melody stuff and you use several different position. Thanks.
PaulM
9 posts
Mar 15, 2010
4:30 PM
PT. Loved it, man. Thanks for letting us enjoy your work.
PT
22 posts
Mar 15, 2010
6:52 PM
Hi Ryan, I mostly use ET but only from hole 4 up to 10. The compromise tuning that comes with the Seydel 1847s on 1,2 & 3 I usually leave alone.
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"Life...10 Holes & 20 Reeds At A Time"

Last Edited by on Mar 15, 2010 6:53 PM
PT
23 posts
Mar 15, 2010
6:53 PM
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"Life...10 Holes & 20 Reeds At A Time"
PT
24 posts
Mar 15, 2010
6:53 PM
Thanks Paul...it's my pleasure
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"Life...10 Holes & 20 Reeds At A Time"
Kyzer Sosa
199 posts
Mar 15, 2010
7:27 PM
yeah, and i might actually get to meet this guy! can you believe it?
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Kyzer's Travels
Ryan
213 posts
Mar 15, 2010
7:35 PM
Thanks PT, that's actually a really helpful answer. That's exactly what I've been thinking about doing, but I hadn't heard of anyone doing this so I wasn't sure how it would work out. I don't do a lot of chordal stuff(some rythmic vamping and tongue slaps) and I only use the chords on holes 1 through 3. I think I'm now going to try this so that the chords on the bottom are a bit smoother but I can still play in other positions, like 12th, without it sounding really out of tune.

EDIT: Would this tuning cause noticeable "beating" in the octaves(the ones that inlcude one of the first 3 hole)? I do use octaves fairly often, but as long as the beating isn't really intense I don't think it would be a big problem.

Last Edited by on Mar 15, 2010 11:26 PM
rpoe
102 posts
Mar 15, 2010
8:13 PM
very cool and classy


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