MN
321 posts
Jun 23, 2014
3:25 AM
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There's not a ton of amplified harp here (solo is acoustic), but I thought the amped tone worked pretty well.
My rig here is one of Greg H.'s BlowsMeAway wood mics into my Harp Break and Harp Delay, then direct to the board. Love traveling to gigs with just a briefcase full o' harps, mic, pedals, etc.
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Dog Face
264 posts
Jun 23, 2014
4:50 AM
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Sounds pretty good. Thanks for sharing. You don't see alot of videos with effects going straight into the PA. I know I was looking for videos like that before when I was weighing my options about an expensive amp vs effects through the PA.
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Brad
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MN
322 posts
Jun 23, 2014
6:27 AM
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I'm definitely not against amps. But living in a city where I have to take public transportation to most gigs, having the ability to travel light is a life-saver. Thanks again to Randall Landry and the Lone Wolf team!
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Martin
673 posts
Jun 23, 2014
6:28 AM
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Thanks. This is very informative and, as Dog Face says, quite rare (for some reason). My interest in the Harp Break is increasing.
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Littoral
1107 posts
Jun 23, 2014
9:15 AM
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Sort of similar experience this weekend for me but mine was with plugging into different amps. Two jams, one had a smaller tweed Peavey and I used my octave and a 57 (bulletized). It worked pretty well but still a little dry and I'll blame that on the amp -because of my experience at jam #2. The amp there was a blues junior that was VERY pleased to participate with the octave pedal. I got a really nice edge & compression with still being warm as well. I was pleasantly surprised with the junior. I have found the octave to be an incredible tool to put on clean amps.
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