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Dirty-South Blues Harp forum: wail on! > Mesmerized.
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laurent2015
198 posts
May 16, 2012
9:10 AM
Maybe you 've seen his signature on a custom harp called "Brodur".
This is Sebastien Charlier, a gem among the nuggets (I just invented this expression).
He plays at least like JJ Milteau, but this last never adressed jazz playing with a diatonic, Seb does, and perfectly I think.
This one is not jazz, but shows that sometimes, playing harp may be an ordeal!
harmonicanick
1596 posts
May 16, 2012
10:30 AM
@laurent2015

yet another stallion from the JJ stable!

I am not complaining!

I had the pleasure of introducing Rachelle P and Greg Slap from the same stable at the uk harmonica festival in successive years.

Seb has that fluid self confident style that a generation of French harp players have, and it's all down to JJ Milteau

You are wrong about JJ not playing jazz by the way, he can do any style with consummate ease and professionalism.

a bientot

Nick
laurent2015
199 posts
May 16, 2012
11:23 AM
Hi, Nick.
I didn't know Milteau played jazz; however I own 7 albums of him, I never heard him in jazz.
Do you have maybe a title or a specific YT vid?
Thanks for correcting me.
laurent2015
200 posts
May 16, 2012
7:03 PM
You won't believe it!
I have that album as "songbook", but didn't listen to it yet.
It will be done, without fail.
Anyway, Seb Charlier's jazz music cannot be called "classic jazz", sometimes a bit on the edge of sounding harsh, I find.
ridge
342 posts
May 16, 2012
9:20 PM
He's a technical monster without a doubt. Unfortunately it overshadows the song and doesn't really seem to make any sense.

To give you context, I like to find myself feeling like I want to do what another player is doing on a song or like I just want to jump right in and play on the song. I don't feel like that when I listen to this.

I agree that some of what he does feels fluid, but then there is a certain choppiness to how he strings things together (random high trills).

He does have a few interesting jazzy descending licks I'd like to lift (2:28-2:31)(4:49-4:50) are examples of what I'm talking about.

Overall, I do try to find the silver lining. He's out there making a living out of this and I'm just a guy on the Internet with an opinion that nobody asked for.
laurent2015
201 posts
May 17, 2012
8:32 AM
I perfectly understand what you mean, but consider:

-this is likely a one shot performance: he plays front stage for a few minutes, so he's been asked to do like he did, sort of show (I think), but high quality.
-I always keep in my mind that he plays "just" with a mundane little instrument that 130 years ago was invented to play local german folkloric musics, and which now can honorably play in the same league as the jazz king's instrument -the saxophone (a belgian invention, snuuuurf!).
-As for learning sth from his playing, I don't even THINK about it, I would be dead before getting the technique.
So, you see, you chipped in wisely and on the right time.


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