The second coming of Satan and Adam! After almost a decade’s absence from clubs and festival stages, Sterling Magee and Adam Gussow returned to action in the summer of 2008, playing selected dates throughout the Southeast in support of Gussow’s new book, Journeyman’s Road: Modern Blues Lives From Faulkner’s Mississippi to Post-9/11 New York (University of Tennessee Press) and a new live double album, Word on the Street: Harlem Recordings, 1989. In 2011 they followed up with Back in the Game, their first all-new release since 1996. Although Sterling's health (in 2015) no longer permits him to travel and perform, the duo remains grateful for the half-dozen years in which they were given one last chance to show the blues world what they were made of.
As Satan and Adam, Magee and Gussow were an integral part of the New York blues renaissance of the 1990s, along with Shemekia Copeland, The Holmes Brothers, Michael Hill and the Blues Mob, and Popa Chubby. They burst onto the scene in 1991 with their critically acclaimed debut release, Harlem Blues, featuring Magee on guitar, percussion, and vocals and Gussow on amplified harmonica. “[This is blues] so unbelievably raw and real,” wrote CMJ, “it’s hard even to describe it. Satan sounds like the heaviest and scariest parts of Robert Johnson and Muddy Waters reincarnated as a whole band and then somehow crammed back into the body of one man, and Adam fills in some piercing harmonica wails that seem to come from the same dark, primeval place as Shakey Horton’s or Little Walter’s.” Harlem Blues was nominated for a Handy Award as “Traditional Blues Album” in 1991.
Magee and Gussow first met on 125th Street in Harlem in 1986, where Magee, an R&B singer and guitarist from Mount Olive, Mississippi, had reinvented himself as "Mr. Satan," a one-man band. Known in the early 1960s as a “Five Fingers Magee,” a dazzling guitar prodigy, Magee later worked as a sideman with King Curtis, Marvin Gaye, Etta James, and Little Anthony and the Imperials. He also spent time as a Brill-Building songwriter--he teamed up with Jesse Stone on a number of hits--and had a brief recording career, waxing sides such as "Oh She Was Pretty." Gussow, a writer and harmonicist with the touring company of Big River, worked Harlem’s streets with Magee for three years before the duo was discovered.
Magee and Gussow followed up Harlem Blues with Mother Mojo (1993) and Living on the River (1996). They toured internationally and played blues, jazz, and folk festivals in Chicago, Philadelphia, Kansas City, Winnipeg, Dublin, and many other venues. They were celebrated, among other things, for their 38-second cameo in U2’s 1988 documentary, Rattle & Hum, in which they performed Magee’s original composition, “Freedom For My People.”
In 1998, after Magee experienced health challenges, Satan and Adam disbanded. Gussow’s tale of the duo’s exploits, Mister Satan’s Apprentice: A Blues Memoir (Pantheon) was published later that year and received the Keeping the Blues Alive Award in Literature from the Blues Foundation in Memphis. (It was republished by the University of Minnesota Press in 2009.) Gussow is currently an Associate Professor of English and Southern Studies at the University of Mississippi. Magee lives in Gulfport, Florida and has become a celebrated elder member of the Tampa-area blues scene.
Between 2007 and 2011, Magee and Gussow worked periodically, always as a trio with drummer David "Dave on Drums" Laycock laying down the beat. Sadly, Dave passed away after a long illness late in 2011. But Gussow and Magee reunited in December 2011 as a duo, with Gussow on percussion in his one-man-band mode. Miraculously, Satan and Adam managed to reinvent themselves once again. Here is some video from a 2012 appearance at the Johnnie Johnson Blues & Jazz Festival in Fairmont, West Virginia. We're sure you'll agree: after taking everything the world can throw at them and then some, Satan and Adam are BACK!
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