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Dirty-South Blues Harp forum: wail on! > The POWERBENDER: all-new 10 Hole Harp
The POWERBENDER: all-new 10 Hole Harp
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Brendan Power
75 posts
Aug 19, 2010
11:37 AM
Tomorrow at SPAH is the official launch for a new diatonic harp I'm very excited about. The POWERBENDER is a soulful new tuning for the 10 hole diatonic harmonica, retaining the best aspects from tradition while making the harp more expressive and easy to play through the whole range.

Here's the promo video, demonstrating how it can be played in 11 keys and 8 positions without overblows:



Here's how it compares with a Richter harp:

KEEPING the BEST from the PAST
• Same Three Octave Range as a 10 Hole Richter Harp
• Same Familiar Lower Octave for Chord Rhythm and Blues Licks

NEW, DIFFERENT and BETTER
•Same Breathing Pattern Throughout: Blow Note always Lower than Draw (no confusing switch in top octave, as on Richter tuning)
• Familiar Low Octave Draw Bend Licks Now Possible Everywhere
• Simplified Technique: No Blow Bends to Learn
• Simplified Technique: No Overdraws to Learn
• Every Draw Reed Bends at Least a Semitone
• Easy Chromatic Runs using Bends Only
• Simple, Soulful Draw Bends replace Richter Overblows and Overdraws
• Overblows Available on Every Hole (but not important for most playing)
• Top Octave Easy to Play, with Big Expressive Draw Bends
• Intuitive Tuning, Simple to Learn. Similar Phrasing in Each Octave
• Easy to Play in Common Positions: 1st, 2nd, 3rd, 4th, 5th, 6th, 11th, 12th
• Many Positions can be Played Both Major or Minor Without Overblows
• Play Easily in Eleven Major & Minor Keys without Overblows
• Sounds Great on any Stock Harp (no embossing, average reed gaps)
• Suits Standard Setup (no valves) or Half-Valving – it’s up to the Player
• Better Tuning for Contemporary Music Throughout the Range
(easier and more expressive phrasing for Pop, Rock, Jazz, Folk…)

Brendan Power
WEBSITE: http://www.brendan-power.com
YOUTUBE: http://www.youtube.com/BrendanPowerMusic

Last Edited by on Aug 20, 2010 12:11 AM
Hobostubs Ashlock
972 posts
Aug 19, 2010
11:58 AM
wow whats the price for one of these? sounds interesting.Is this a new harp or a new tuning for a harp or both,i ask this cause i thought i saw it was offered in to models,As a beginner im wondering should i try some of the other tuning's other than the richter or should i get a solid foundation with the standard harps 1st?either way it sure looks interesting.

Last Edited by on Aug 19, 2010 12:16 PM
Ray
259 posts
Aug 19, 2010
12:30 PM
Sounds pretty interesting.
boris_plotnikov
209 posts
Aug 19, 2010
1:17 PM
Brendan
A bit OT question? How do you feel playing such a lot of tunings? Do you always remember note layout for each tuning? Can you play the same tunes with different tunings? I stick to richter (and I can play natural minor also, but I don't think I'm good with it as I can't play it in the other positions besides 1-3) and can't actually decide to start working on completely new layout like diminished.

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joeleebush
58 posts
Aug 19, 2010
2:19 PM
Mister Power, Man-n-n-n-n-n you can flat make that sucker WAIL!
I just got flat sent into orbit with that playing you do on your website. Now THAT's top action work!!!!!!!!!!
Please say something about the price on this new harp (I got a idea a blood pressure pill will be in order when looking at it).
I can see myself having a big time with a few of these suckers.
Your newest fan====> Me
Regards
tookatooka
1669 posts
Aug 19, 2010
2:28 PM
Wow! This is going to be interesting. Obviously timed to coincide with SPAH. I can see a lot of the 'old school' players taking a sharp intake of breath.

I wonder how it differs (reed? material? slot size? gaps? etc etc) so that these bends through the range are achievable?

Questions. Questions.

Although I embrace change, this one (especially the 6 7 bridge) has got me a little worried. I think my muscle memory is set in concrete now. Damn!

Before I get too excited, I have to remind myself that Brendan could probably make a blade of grass sound great.

Last Edited by on Aug 19, 2010 2:30 PM
jim
321 posts
Aug 20, 2010
12:06 AM
I assume it's something like this:

CEGCEGCEGC
DGBDFADF#AD
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www.truechromatic.com
Brendan Power
76 posts
Aug 20, 2010
12:27 AM
@tookatooka: "I wonder how it differs (reed? material? slot size? gaps? etc etc) so that these bends through the range are achievable?"

That's the beauty of the POWERBENDER: it works on any stock standard harp, no fancy customising needed. The one that comes with the book is a Suzuki Harpmaster in A - the cheapest Suzuki harp, but a good one. It's only been retuned, nothing else; everything played on the video music clips can be played on it.

@boris: Though I use several tunings, I only have a couple that I improvise with. I made the first POWERBENDER in 2008; it was so good overall that I adopted it as my #1 harp for jamming. I still use a few other tunings for special applications (eg. Paddy Richter for most of my Irish music playing, which is memorised tunes), but the POWERBENDER is the one for everything else.

@Hobostubs: at SPAH I'm selling the harp for US$70 and the book for $30: $100 total. It's quite a substantial retune, so labour intensive - hence the cost. However, that's still pretty reasonable considering you're getting something really new and powerful that will give you lots of fresh sounds and extra expression, with a detailed instruction book/CD. If sales numbers grow the cost will come down int the future.

@Jim: You're nowhere near :). The tuning is shown in the book.
jim
322 posts
Aug 20, 2010
12:41 AM
well I know this one:
C E G C E G B D G C
D G B D F A A C E A

if you're saying it has draw bends - we can turn around the top octave:
C E G C E G A C E A
D G B D F A B D G C
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www.truechromatic.com
Brendan Power
77 posts
Aug 20, 2010
7:19 PM
Hi Jim, The first one you show is called the PowerBlow Tuning, and the second is called the PowerDraw.

I explained and demonstrated them both in my seminar today at SPAH. The POWERBENDER layout will be announced shortly.
jim
325 posts
Aug 21, 2010
1:04 AM
my last attempt:

http://www.truechromatic.com/harp-o-matic.php

choose powerbender from the list on the left.

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www.truechromatic.com

Last Edited by on Aug 21, 2010 1:04 AM
Brendan Power
78 posts
Aug 21, 2010
6:01 AM
Pretty close Jim :)

I was always intending to release the tuning diagram, and have now done so on the POWERBENDER page of my website, along with the philosophy behind the tuning, other text and musical examples from the book and CD. Go to:

http://www.brendan-power.com/

and click the POWERBENDER link at left under Instructional Material.

Last Edited by on Aug 21, 2010 6:01 AM
Arbish
1 post
Aug 21, 2010
6:15 AM
Id really love to hear you play some Jazz Stuff on that baby,

How is 12th pos compared to richter?
jim
327 posts
Aug 21, 2010
6:37 AM
corrected the last note.
Also, if you go to the tune-o-matic page on my website, you can see for yourself that it's practically impossible to make this tuning from a Richter diatonic (I mean at home). You can swap the top 9 & 10 reeds, but the 7blow must be retuned -4semitones. Filing the reed will make it fragile. Adding solder will make it less responsive.


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www.truechromatic.com
bubberbeefalo
15 posts
Aug 21, 2010
6:59 AM
Brendan- will suzuki be offering this harp or are they only customized by you. These harps sound like they will be hugely popular and the lead time I would think would be very long
JohnnieHarp
40 posts
Aug 21, 2010
9:36 AM
>...but the 7blow must be retuned -4semitones. Filing the reed will make it fragile. Adding solder will make it less responsive.

Jim, a couple of months ago I "Blu Tak'd" your circular tuning on, by chance, a key C Harpmaster. I first embossed and gapped it. The 7 blow is lowered by 4 semitones also. It works fine. As do the other weighted reeds. Played daily and blu-tak still firmly in place.

OOTB I find the Harpmaster reeds seem a bit "stiff". This may be why the extra weighting works. Also, I find that the shorter, higher pitched reeds are more amenable to weighting.

How tough is it to raise the pitch on 9d and 10d or do they have to be swapped out? I've done this minimally on high pitched reeds before and find it pretty tricky. Especially going from A to C on 10d.

Last Edited by on Aug 21, 2010 9:38 AM
jim
328 posts
Aug 21, 2010
9:41 AM
I advise to never even attempt to raise pitch on reeds that have no extra weight at the tip. This is road to death for them.

You made a truechromatic in C? How do you find it?

(this one, right?)
C Eb G Bb D F A C E G
D F A C E G B D Gb A
JohnnieHarp
41 posts
Aug 21, 2010
9:55 AM
>You made a truechromatic in C?

No ... made circ ...

C E G Bb D F A C E G
D F A C E G Bb D F A

But was JUST looking up the difference between this and your TC ... will adjust my blu tak special today and try it out ...

But will leave 9d as it is so as not to mess up the harp ... should be obvious if I hit it but is out of the way so for test purposes shouldn't be too important ...

Is it best to contact you via your web site or youtube with my comments?
jim
329 posts
Aug 21, 2010
10:06 AM
TC is better. Classic circular tuning has logical errors in the note sequence. I corrected them (by the way never thought this tuning would be good on a diatonic :) )

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www.truechromatic.com
jim
330 posts
Aug 21, 2010
10:09 AM
You can try to use blutak on the lower part of the reed (rivet side) to increase the pitch... I was referring to filing the tip of it of course.
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www.truechromatic.com

Last Edited by on Aug 21, 2010 10:09 AM
JohnnieHarp
42 posts
Aug 21, 2010
10:23 AM
>...blutak on the lower part of the reed (rivet side) to increase the pitch...

Tried that a while ago then realized that to raise pitch need to make reed springer ... so would need to piggy back an extra micro spring on existing reed ... maybe a fine gauge piano wire attached some how? ...or some fine reed material?

Tried a bit of super glue awhile ago along the back of the reed ... raised pitch but reed too stiff ... especially if a draw reed ...

> tip filing

Understood ... raised a high reed once with tip filing and it was a precarious exercise ...

BTW, Vern S. of handsfree chrom has come up with a way to superglu reeds in place ... could be good for welded reeds as the plates then don't need to be drilled to replace reed ...

Last Edited by on Aug 21, 2010 10:29 AM
barbequebob
1160 posts
Aug 21, 2010
10:41 AM
The tuning looks almost like you could almost call it semi-circular for lack of a better term. It reminds me very much of a tuning not too dissimilar to one that Pierre Beauregard made as one of the potential new tunings he and Magic Dick had put together for a line they wanted to get out called King Harmonicas, which they were negotiating with Hohner to put out and some of the tunings they were gonna use is listed at http://www.patmissin.com. I think Pierre, if memory serves me correct, a big band blues tuning and this one reminds me of that and it looks like a lot of fun once you develop good muscle memory of the tuning. The entire tuning layout chart is listed on Brendon's website.
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Sincerely,
Barbeque Bob Maglinte
Boston, MA
http://www.barbequebob.com
CD available at http://www.cdbaby.com/cd/bbmaglinte
JohnnieHarp
43 posts
Aug 21, 2010
11:48 AM
Jim, emailed you at the TC seydel.com address
jim
331 posts
Aug 21, 2010
12:10 PM
JohnnieHarp,
you've got mail too :)
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www.truechromatic.com
harpdude61
313 posts
Aug 21, 2010
3:08 PM
Brendan!
I spend two years learning to overbend to get the full blues scale in cross-harp and you do this to me...lol
I like the fact that you can play 2nd and 3rd position blues scale from hole 1 to 10 and no overbends needed.
I also see some cool splits, blow and draw, all up and down the harp.
A lot of players use overblows , but prefer not to use the overdraws. This is a chance for those players to go fully chromatic.
I might just have to try one in a Golden Melody. Looks like fun.
One more thing...some folks worry that learning new breath/bend patterns to get their scales and such will cause confusion when you switch harps. I disagree. When you learn any scale for three octaves ona regular diatonic, you learn three different patterns. one for each octave. Simply learn one more octave or so and you have this harp down.
Good luck with your new harps!
tookatooka
1672 posts
Aug 21, 2010
3:22 PM
One problem I foresee is that the current batch of regular tabs that are currently available (especially for novice players) will become redundant overnight.

I know it's best to get off of using tabs as soon as possible but when you are starting out, you tend to collect as many as you can until you find your feet.
jim
332 posts
Aug 21, 2010
3:50 PM
I don't get your enthusiasm about second position though...
it's clearly broken on powerbender... Look at the top of the octave.
Not only you lose the 5 draw (it is a blow note now), but you'll have to jump one hole in order to get there. And the octave now closes on draw, which is again not what you expect from the second pos.

And the 3rd pos in the way we know it from richter - is simply non-existent here. It's an all-new position.

So that will require to learn many things from scratch.
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www.truechromatic.com

Last Edited by on Aug 21, 2010 3:51 PM
nacoran
2586 posts
Aug 21, 2010
5:41 PM
I came up with a crazy tuning system for a Chromatic, although it's just on paper because I have no mechanical skills or money. It's designed for beginners and involves another special modification. I so wish I was rich or mechanically inclined.

I'd prefer rich, but I'd take either one.

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Brendan Power
79 posts
Aug 22, 2010
7:11 AM
Jim wrote "I don't get your enthusiasm about second position though... it's clearly broken on powerbender..."

Bollocks, it's far more CONNECTED, because it plays in a similar way through the whole range.

2nd Position is great on the POWERBENDER, very expressive, supple and easy to play. You can bend the tonic, 3rd and 5th in every octave. On Richter it's patchy; the bottom octave gives you those bends, but you can't bend hole 6 blow or holes 7 & 8 draw. On the POWERBENDER the middle and top octave in 2nd are very similar to the low octave, but with easy chromatic ability.

Music speaks louder than words; here's an example of the POWERBENDER in an original 2nd Position Blues song:



And here in a original instrumental, also 2nd Position:



Jim goes on: "And the 3rd pos in the way we know it from richter - is simply non-existent here. It's an all-new position."

It's different, and the sweet spots are in new places (eg. you can bend the tonic draw 8 which you can't in Richter). I think the 3rd Position track on the video shows how expressive it can be. But if you want the same kind of bends as 3rd Position Richter on the POWERBENDER, check out the 5th Position track on the video: draw bends everywhere, WAY more expressive than 3rd on Richter. Just listen and you will hear...

"So that will require to learn many things from scratch."

Yes and no. On the face of it, it's a radical re-tuning, 10 reeds with new pitches. However, the way you play it is very intuitive, because it takes the best from the traditional harp and lays it out in a similar way through the range. Everyone knows how to draw bend down the bottom octave. Once you switch you brain into that mode for the rest of the harp, the POWERBENDER comes to you, like an old friend.

Of course it requires time and study to master, like anything good. That's what the book/CD is for. But the rewards are great: you are freed from the need to overblow to get your main notes in 8 positions and 11 keys, and your Pocketful of Soul suddenly expanded till the seams burst...

It's a break with the past to create something fresh and new for here and now. But it takes the best from the past to do that, by eliminating redundant 19th Century anomalies of the Richter for playing in modern styles and positions. Read the Introduction to the book (on my website) to understand where it's coming from.

If it's successful, soon the Chinese will be ripping it off and giving everyone a $5 harp that can really WAIL! I'll be poor but happy if that happens, because it be would returning the harp to its roots as an inexpensive People's Instrument - and one which can still cut it in any amateur or pro situation.

I've been comparing licks with the best overblow players on the planet right here at SPAH, with their fancy $350 Custom harps. Anything they can do I can do (generally better and a LOT easier) on my stock POWERBENDER Harpmaster, and then some!

All that laborious hand work is unnecessary on the POWERBENDER; just re-tuning and standard gapping will give you an awesome new palette of swooping, supple, soulful draw bend licks.

Try it and see. I ain't tellin' no lie...

Last Edited by on Aug 22, 2010 7:18 AM
Buddha
2364 posts
Aug 22, 2010
7:23 AM
"I don't get your enthusiasm about second position though..."

I don't get your enthusiasm about your enthusiasm.

I played the "custom" harps you made for Alex. Nothing more needs to be said other than you need to research better methods and keep at it instead of poking a player like Brendan.

Brendan's powerbender is way cool and if you're into altered harps then you should have a few in your collection.



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"All is bliss"
Micha
127 posts
Aug 22, 2010
8:03 AM
Brendan, great innovative work! I would love to try one. Is it going to be available in Europe? Prices?

Is the chromatic scale completely available in all 3 octaves?

Why do you say: playable in 11 positions? What is the problem with the remaining one?

Last Edited by on Aug 22, 2010 8:03 AM
Brendan Power
80 posts
Aug 22, 2010
9:12 AM
Check the video: I said 8 Positions and 11 Major and Minor keys WITHOUT OVERBLOWS.

Actually there are 12 Positions and 24 Major/Minor keys altogether. If you want full chromaticism, you need to overblow. No problem: every hole 1-10 overblows on the POWERBENDER to get the few missing notes not available with bends.
boris_plotnikov
211 posts
Aug 22, 2010
10:24 AM
Brendan Power
Why not diminished tuning?
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Excuse my bad English. Click on my photo or my username for my music.
harpdude61
314 posts
Aug 22, 2010
11:04 AM
In the 2nd position video I heard the middle octave flat 3rd and flat 5th (6 OB and 7 OD on a standard diatonic)....and they sound very expressive. If overbends, valved harps,etc..etc.. are not your thing and you want to play the blues scale over all 10 holes of the harp, this seems like a great option.
barbequebob
1165 posts
Aug 22, 2010
12:52 PM
This tuning looks interesting for 2nd position alone. I'd love try one in (if it ever becomes available) in Bb, F, Ab, Low Eb, Low F, Low Low F, and Low Low Eb for Jump blues stuff and mess with the kind of stuff like Willis "Gator Tail" Jackson, Red Prysock, Joe Houston, or Hal Singer used to do on sax in those bar room honker numbers. The Idea of this tuning in LLEb and LLF would potentially be a blast to play more like a baritone sax for this stuff.
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Sincerely,
Barbeque Bob Maglinte
Boston, MA
http://www.barbequebob.com
CD available at http://www.cdbaby.com/cd/bbmaglinte
arzajac
317 posts
Aug 22, 2010
1:33 PM
I live in Canada. Can I order from your website? Or is there a special shipping charge?


Cheers!

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Buddha
2366 posts
Aug 22, 2010
3:13 PM
Been hanging with Brendan all day. In fact he's still down stairs playing music and I am harmonica'd out!

I got a Powerbender from Brendan this afternoon and really got to play with it. I love it! It's super intuitive to use and I can get my funky 12th position sound via 2nd position.

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"All is bliss"
Arbite
92 posts
Aug 22, 2010
3:37 PM
Buddha, Do Vid Review =) id love to hear that
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Kyzer Sosa
751 posts
Aug 22, 2010
11:15 PM
Ive got a couple of valved harps (love em) and really want to get my hands on a country tuned harp, Haken's vids on how to alter the tunings of standard harps (ala Brendan & Jimi) intrigues the hell out of me, and honestly, though Im just now starting into a comfort zone with the upper register on standard harps, I have to admit this POWERBENDER has got me curious as all get out. I'll be patient and wait to hear from folks on my level with some hands on time with it. (A not so clever guise for: I dont have the $ right now.)
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Brendan Power
81 posts
Aug 23, 2010
9:53 AM
Boris wrote: "Why not diminished tuning?"

Diminished is a very useful tuning for people who want to play jazz on the diatonic (full chromaticism with bends only), BUT... it doesn't have the traditional things most players love about the blues harp: the big fat 1 and 4 chords down the bottom, the easy playing in 2nd Position etc.

On the Diminished, playing simple major key melodies requires a lot of precise bending, but if you choose the good positions on the POWERBENDER, they flow easily with great expression.

The POWERBENDER plays like a traditional harp (identical in the bottom octave, and similar bends in the other two octaves).

Though it has great chromatic function with draw bends, and you can play one in all keys if you overblow, it's really more like a Richter harp than a Diminished: it's best if you have several in different keys and play them in some favourite positions that sound great and lay easily without strain, so you can just get down and wail.
Todd Parrott
169 posts
Aug 23, 2010
1:40 PM
I got a Power Bender from Brendan pretty early in the week at SPAH and I LOVE it! I am finding it more useful in so many styles of music each time I pick it up. It really is a great tuning.
apskarp
308 posts
Aug 23, 2010
11:06 PM
That tuning looks really interesting, I also read the sample chapters from the web site. I decided I have to try it out..

I was thinking of how to make one by myself. Some reeds have to be changed as there's too much tuning involved for standard richter harp. I'm sure I could figure this out myself if I find Hohner's reed charts, but could somebody tell already which reeds should be taken as a replace from which harp keys to produce e.g. Special 20 POWERBENDER in the key of A?

(I was thinking of making the harp by myself and ordering just the book from Brendan..)

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apskarp
309 posts
Aug 24, 2010
1:24 AM
So initial researched revealed that it really needs some reed swappings:

5 hole: BLOW up 2 semitones D->E, DRAW up 1 semitone E->F
-Perhaps doable with tuning? Or then replace one reed and tune the other.
6 hole: BLOW up 2 st, DRAW up 2 st
-Perhaps doable with tuning? Or then replace both reeds.
7 hole: BLOW up 3st
-Replace needed
8 hole: BLOW up 4st
-Replace needed
9 hole: BLOW up 3st, DRAW down 2 st
-Replace needed
10 hole: BLOW up 3st, DRAW down 3st
-Replace needed

Most cost efficient way would be to utilize the reeds of the harp itself. If I drew it right you can utilize all the reeds of the original harp in POWERBENDER tuning - except 9 draw reed (F on C-harp). This would give you all the necessary reeds needed except 5 blow reed (D on C-harp).

Now the only question is - do the reeds fit the slots while doing the swapping or is tuning or different length reeds (from different key harps) required? If they fit then only one reed needs to be bought (or borrowed from some other harp). It would mean lots of hand labor but minimal material costs: one reed + 10 bolts & 10 nuts. (And you'll have one spare reed left out.)

Does anybody have the Hohner charts or knowledge of whether the reed lengths fits the slots in this approach? (Or are you Brendan willing to tell how you do this -> if you do I promise to buy your book... :)

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Brendan Power
82 posts
Aug 24, 2010
1:29 AM
@apskarp: "I was thinking of how to make one by myself. Some reeds have to be changed as there's too much tuning involved for standard richter harp."

Not true: if your tuning skills are good, the Richter can easily be made into a POWERBENDER by re-tuning the existing reeds in place. All of the ones I play myself (including the A harp on the video/book) are made this way, and they perform great. I have about 30 PB in different keys and variations.

But if you want to switch reeds on the same harp, the most useful ones to do a switchover with are the reeds in holes 8, 9 and 10. However, you'll still have to re-tune 8 and 9 anyway (and the others lower down of course).

The third approach (which I think you're talking about) is to get the exact pitch reeds from other harps to make all the correct changes. It's not necessary, but if you have the time and the available reeds (10 changes are needed) then it will work well, of course.

Have fun! Let me know how it goes, Brendan
blogward
144 posts
Aug 24, 2010
2:57 AM
Just ordered a Gm - looking forward to it.
apskarp
310 posts
Aug 24, 2010
2:58 AM
I checked the slot lenghts - my approach wasn't feasible. Still it seems incredible for me that you could tune the reeds up to 4 semitones.. Well, I will pick up an old harp and try that anyway.. :) Thank's Brendan!

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Sandy88
92 posts
Sep 09, 2010
2:12 PM
Why would anyone want to use overblows when this is available? We all know overblows don't sound very good and make the harmonica seem like a toy, this really legitimizes the instrument since you can now actually play every note for real.
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MP
822 posts
Sep 09, 2010
2:28 PM
i want one.
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BeardHarmonica
3 posts
Sep 10, 2010
5:27 PM
I'm not playing for a very long time.
I play only blues.
I'm a tongue block player and would not play the other way.
I play 2nd a little of 3rd and just started messing with 1st.
I rarelly play the last 4 holes of the harmonica, i usually get myself lost up there.
I really dont like the sounds of OBs or really fast playing harmonica that go all over the place.
I dont plan on playing the other positions.

Do i need a powerbender?
Will it help me play the higher octave?
What will i lose?
mojojojo
79 posts
Jul 19, 2011
12:41 AM
Brendon...i want to sell your powerbender in jakarta, indonesia...will you ship in small quantities?

gibtv@yahoo.com

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