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Dirty-South Blues Harp forum: wail on! > so much more than meets the eys
so much more than meets the eys
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1847
3818 posts
Nov 09, 2016
7:50 PM


their are so many subtleties here it is not funny.
8 bar blues... pick up bars. 12 bars with and with out a quick change.

for such a simple song you need to be alert. this is the real deal.
Killa_Hertz
1881 posts
Nov 10, 2016
4:48 AM
I have their '85 LP , My Love is Here To Stay. These guys are really tight together.

This thing is grooving. The soundman missed the Keyboard solo. Those are the type things I hear. 8^)

Im trying to learn to hear it like a musician, but im not quite there yet.

Have to keep running it back and listen for the things you mention.

Seems like they change Keys on Anson's Solo?

And what is it that happens just before the keys solo at around 3:35?


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Last Edited by Killa_Hertz on Nov 10, 2016 6:49 AM
tmf714
2943 posts
Nov 10, 2016
8:37 AM
"Come On" (often called "Let the Good Times Roll") is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On - Part I” as the A-side backed with “Come On - Part II” (Imperial 5713).[1]

The song's lyrics are based on "Let the Good Times Roll", the 1946 jump blues hit by Louis Jordan and his Tympany Five.[2] However, instrumentally, it is a showcase for guitar playing. Music writer John Perry compares it to Freddie King instrumentals, such as "Hide Away" and "The Stumble".[2] He adds that it is performed in the "guitar-friendly key of E ... specifically designed to cram as many hot licks as possible into a single number
tmf714
2944 posts
Nov 10, 2016
8:49 AM
12 bar blues with stops-
barbequebob
3310 posts
Nov 10, 2016
11:00 AM
Here's the Earl King original of Come On:


Here's Louis Jordan's Let The Good Times Roll:

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Sincerely,
Barbeque Bob Maglinte
Boston, MA
http://www.barbequebob.com
CD available at http://www.cdbaby.com/cd/bbmaglinte
1847
3819 posts
Nov 10, 2016
11:44 AM
the guitar solo is in the same key.

at 3:14 and 3:37 it sounds like he is sliding up to the flat 5.... i could be wrong but that is my guess.
if that is what you are referring to.

sounds a lot like buddy guy "little lamb"
1847
3820 posts
Nov 10, 2016
2:36 PM
so why is any of this important? i just want to play harmonica, why would i need to know any of this.
truth is, most of this isn't that important. you can get by with just your ear for the most part.
if you listen.

it is a good idea to know where the 4 chord is. the notes that work well on the one chord
are not necessarily the same notes that work well for the four chord.
if you know when to expect the four chord, you can anticipate the change instead of waiting then reacting to it.

if you want to know what makes for a really great blues song, it is the little details that make a difference.
as carlos castaneda would say.... knowledge is power.


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